Sunday, March 31, 2013

The Fingerstyle Guitar - Epoxy Pore Fill

While it's perhaps not in the same league as the Claro Walnut used on the guitar I've recently finished, applying the first coat of epoxy pore fill to the instrument pictured reminds me that each piece of wood has its very own character and unique appeal. Once again, walnut has cast its spell over me and I'm very pleased with the way this guitar is shaping up.


It's an unfamiliar feeling to be pore-filling an instrument so soon after completing the previous one. Typically, many months pass after finishing an instrument before I'm ready to repeat the process, but as I work my way through this current batch of three guitars, I'm no sooner finished with one part of the process than I'm ready to repeat it on the next guitar.

With the necessity of a day job to distract me, the prospect of spraying the finish coats presents something of a problem: to apply the necessary number of coats to the back, sides and neck, I need to devote three consecutive days to the task if I'm to limit the number of coats per day to five. As I'm employed on a contract basis and paid by the hour, the bad news is that I'll need to sacrifice a day's pay if I'm to successfully apply a sprayed finish to the guitar - all the more reason to begin selling my instruments!

Cheers
Pete

No comments:

Dry Sanding With Super Assilex and Super Buflex Abrasive Sheets

I put this East Indian rosewood/European spruce guitar to one side as I proceeded with my usual process of wet sanding and buffing four othe...